Thursday, November 05, 2009

One reason why I like my job

When I work with students on their Senior Projects for their last class in our department's major, my role is primarily that of guide and facilitator for the students' efforts. Yes, there are many things I teach them about doing research, writing, editing an academic paper in Spanish, both in groups and in one-on-one session. Sometimes I even get to work with students whose interests coincide with my areas of expertise. But quite often I am helping connect them with other experts, and I learn a great deal from their projects. In most cases, students choose topics that fit with their double majors, their career plans, their experience studying abroad, and their personal relationships (sometimes via marriage). Many of the topics are ones that come up almost every semester, so I've now learned quite a bit about them!

Topics this semester include:

Wednesday, November 04, 2009

Fantasy SYTYCD S6 entry

My entry for Fantasy SYTYCD S6, in the order I think they will finish (or that I want them to finish, not necessarily the same!). Last year, I actually did pretty well in the predictions, which surprised me.

Women
1. Kathryn
2. Ellenore
3. Mollee
4. Karen
5. Ashleigh
6. Pauline
7. Noelle
8. Channing


Men
1. Legacy
2. Jakob
3. Russell
4. Nathan
5. Ryan
6. Kevin
7. Peter
8. Victor

Top 4
1.Legacy
2.Ellenore
3.Jakob
4.Kathryn

Sunday, November 01, 2009

Walken, toujours actuel


Christopher Walken recites Lady Gaga's "Poker Face" as only he can.

Saturday, October 31, 2009

Today, our ghosts are closer

Yesterday I attended a workshop with colleagues and students about the exhumations of mass graves in Spain that are going on now, uncovering the bones of those killed during the Civil War and also in the years after by the Franco regime, or the "nationalists." I learned from the reading we did for this workshop that the fascists had already performed their exhumations and reburials; this is not the first time that bodies have been dug up from mass graves, but previously it had only been those of nationalists killed by republicans during the war. Now, it is the victims of state-sanctioned violence who are being brought to collective sight and whose stories are being told in public after being kept secret or only whispered for decades. This is a national scenario of story-telling and performance of collective memory.

The collaborative is sponsored by the Institute for Advanced Studes at the U of MN, as one of the projects around the University Symposium topic "Bodies and Knowing." The group will meet monthly to talk about readings leading up to a conference April 23-4 of 2010.

Here is the description of the project (click the title link to get to the web page where the reading is linked if you want to download it):

Exhuming Bodies, Producing Knowledge: Collective Memory, Justice and Restitution in Contemporary Spain
"This Colloquium Series and International Conference will explore the role that the recent exhumations of mass graves from the Spanish Civil War and subsequent dictatorship have had in the emergence of the movement for the “recovery of historical memory” in Spain. At the beginning of the 21st century, over 30,000 bodies were still interred in mass graves throughout the country. Subsequently, the emergence of civic associations, created by ordinary citizens to undertake exhumations of these graves, has had an enormous impact on Spanish society. In part, the media impact of the exhumations has led to pressure to pass the “Law of Historical Memory” by the Spanish Congress in October 2007, a significant, if insufficient, step towards confronting the legacy of the war and dictatorship in contemporary Spanish society. We will analyze the multiple and complex relations between bodies and knowledge that arise in such exhumations and discuss their political, social, cultural and legal significance, in Spain and in other post-authoritarian or post-conflict settings."

The article we read, but didn't really have time to discuss at length, was "Cries and Whispers: Exhuming and Narrating Defeat in Spain Today" by Francisco Ferrándiz. First, though, we talked to each other about the history and context of these events because many of those gathered are scholars of other national contexts. Some were people born elsewhere who have been living here for many years, but have personal connections to traumatic collective histories: in Chile, Germany, the former Yugoslavia.

Ferrándiz is also the author of "Digital Memory: The Visual Recording of Mass Grave Exhumations in Contemporary Spain" Francisco Ferrándiz, Alejandro Baer. He collaborates with a big archival and testimonial project hosted at the University of California in San Diego that hosts an archive of interviews through the "Spanish Civil War Project:"
"With the assistance of these human rights organizations, since the summer of 2007 several teams of graduate students have been recording audiovisual testimonies of militants, witnesses, and victims of the Spanish Civil War and the Francoist repression."
The UCSD site exists in English and Spanish, so it's a good place to go for background. The Spanish transition to democracy after Franco's death was relatively peaceful, but one of the costs was a collective silence about what the legacy of the dictatorship. It's important to remember the difficult and painful process of creating the pacts, legal and social, that have made possible the emergence of a democratic civil society in the last thirty years, however critical of that process one might be.

After much negotiation, a law was approved a few years ago that makes possible a series of actions that allow engagement with the past: reparations or pensions for Republican soldiers, removal of at least some public monuments to fascism, and the exhumations of graves. The official site for the "Ley de la memoria histórica" explains the parts of the law. Non-governmental groups, such as the Asociación para la recuperación de la memoria histórica" have played a major role in bringing about these actions.

One of the questions that was asked at our meeting by a colleague from Spain: "what does it mean to the children of those who lived through the Civil War to confront this past and ask themselves if their parents were involved in the repression, if they were members of the Falange?" The exhumations are focusing attention now on the families of victims, but no family in Spain is untouched by these stories. Stories and speculation surround the fate of one of the most famous of these victims, whose body does not lie alone but with others murdered with him: this week begins the exhumation of the possible grave site of that of poet Federico García Lorca, and , in a story has even made The New Yorker. Author Jon Lee Anderson writes,
"In a recent story I wrote about the drama, the late poet’s niece, Laura Garcia Lorca (who is also the director of the Federico Garcia Lorca Foundation, which exercises control over the poet’s literary estate), told me that she and her relatives didn’t want Lorca’s body moved because they feared his exhumation would become an unseemly spectacle, “a circus.” Laura shuddered as she conjured up the image of Lorca’s bones being exhibited on YouTube."


It's not just the dead whose memories were stolen; it was also the living. You MUST read this post by entrenomadas about "los niños robados durante el franquismo" [children stolen during Franco's regime].

Friday, October 30, 2009

"Dónde... está... la biblioteca?"

What comedy shows make you laugh out loud? The Simpsons? Glee? Big Bang Theory?

My new favorite comedy show is Community. Maybe it's because I work on a university campus, or because I teach Spanish, but I think it's also the quality of the writing and acting. The ensemble cast is made up a really talented comedians.

Here's a bit about studying Spanish:


Here is a fab remix of some bits from the show.

Monday, October 26, 2009

Tonight's drinking game? take a shot every time you hear "best group ever"

(cross-posted at SYTYCD Social)
Hi, folks! I am doing my SYTYCD homework for tonight's "get to know your top 20" episode. I'm very glad the producers decided to give us this special show so we don't start seeing the dancers get eliminated until we have clapped eyes on all of them and seen them dance at least once! I'm not even bothered by the idea that the judges will do the first eliminations, because (repeat after me) this is a scripted reality show in which we are being told stories and led to believe things that are not necessarily true! I'm willing to kick back and gossip for a few weeks before I start voting.

So, I have dutifully watched all the audition episodes, even though I missed the accelerated rhythm of the summer-style audition frenzy. One benefit, to my mind, in starting the show this late in the fall season is that I got to enjoy America's Best Dance Crew and SYTYCD Canada before the S6's actual competition gets underway: fewer distractions.

Let's hear it for the show where dancers do their own choreography: I love how ABDC showcases the crews' responses to challenges. We Are Heroes and Vogue Evolution were my favorite crews. This season, DWTS is not even in the picture for me as a dance show, no matter how great my love of ballroom dancing is, because I feel about Donny Osmond just about the way I feel about Toom DeLay: both of them trigger the gag reflex. Cannot. Watch.

So, here's how I have prepared for tonight:
  • Watched all the audition episodes and read all the recaps hither and yon? check!
  • Watched the interviews with the Top 20? check! who do you think has the most annoying verbal tics? who is unexpectedly intelligent or charming? what is that "star quality" that the judges are casting for which means that some more proficient dancers didn't make the cut?
  • Compared STYCYD Canada to U.S. version? check! Tara Jean was not my first choice, but any of the top four dancers was worthy of winning in my eyes, and I really enjoyed seeing different choreographers. Cat Deeley is still the hostess with the mostest for me!
  • Mourned the departure of Mia Michaels from the show? check. Count me as one of the people who thinks this a huge loss, although not fatal. the show will go on, but I will really really miss Mia's contributions as a judge, a choreographer, and as an inspiration to the dancers themselves.
  • updated my Twitter feed to make sure I get every gossipy tidbit from past and present contestants, judges, and choreographers, fans and bloggers? check! I'll be watching the live-blogging, tweeting, and the show at the same time.

Friday, October 23, 2009

How a flu virus reproduces (NPR story)

Using animation tools from Zirus. My poor baby has the flu, so miserable!